Songs of the forest
Full list of works to date from multiple series dating back to 2019
Please contact me for more info.
© Copyright Zoe Sizemore Artist
Tui Introspection
Acrylic on 300 Round 22mm ply face box boards
In this piece I sought to explore the juxtapostion of the native in nature amongst it's commonly more urbanised environment. Creating contrast between the rough and industrial and the more elegant and softly detained Tui figure in the front. In most of my pieces the main protagonist seeks to look the viewer in the eye and connect on a deeper level - mimicking the experience in nature.
In this piece I sought to explore the juxtapostion of the native in nature amongst it's commonly more urbanised environment. Creating contrast between the rough and industrial and the more elegant and softly detained Tui figure in the front. In most of my pieces the main protagonist seeks to look the viewer in the eye and connect on a deeper level - mimicking the experience in nature.
A Small Crew : Part 2
Acrylic on Canvas Framed 760mm x 760mm
This commission piece inspired by the original 'A Small Crew' further explores the juxtaposition of native birds nestled amongst introduced plants. In this work we are looking forward to the future and harmony of the diversity we have created in nature and how these elements can work together in harmony celebrating their differences rather than rejecting them. A lesson for us all in these uncertain times.
This commission piece inspired by the original 'A Small Crew' further explores the juxtaposition of native birds nestled amongst introduced plants. In this work we are looking forward to the future and harmony of the diversity we have created in nature and how these elements can work together in harmony celebrating their differences rather than rejecting them. A lesson for us all in these uncertain times.
Olive Immersion
Acrylic on canvas 740 x 540mm with white wood frame.
A pair of Piwakawaka dance among the olive branches showing an immersion of introduced and native species living in harmony with each other.
A pair of Piwakawaka dance among the olive branches showing an immersion of introduced and native species living in harmony with each other.
Taking Sides 2021-2022
Works shown without (sold) are available to purchase. Commissions available via enquiry. Please contact me for more info.
© Copyright Zoe Sizemore Artist
Yellowhammers in the Manuka
Acrylic on 300 Round 22mm ply face box boards
In these 'Taking Sides' works I explore the juxtaposition of Yin and Yang. The loud and the quiet, the native and the introduced, the dark and the light. The pair of Yellowhammers sit on the native New Zealand Manuka Flowers. The works highlight the beauty in differences, and are a symbol of hope in divided times.
In these 'Taking Sides' works I explore the juxtaposition of Yin and Yang. The loud and the quiet, the native and the introduced, the dark and the light. The pair of Yellowhammers sit on the native New Zealand Manuka Flowers. The works highlight the beauty in differences, and are a symbol of hope in divided times.
Piwakawaka Pair
Acrylic on 300 Round 22mm ply face box boards
In these 'Taking Sides' works I explore the juxtaposition of Yin and Yang. The loud and the quiet, the native and the introduced, the dark and the light. The pair of native Piwakawaka or Fantails sit on the imported country cottage style rose vine. The works highlight the beauty in differences, and are a symbol of hope in divided times.
In these 'Taking Sides' works I explore the juxtaposition of Yin and Yang. The loud and the quiet, the native and the introduced, the dark and the light. The pair of native Piwakawaka or Fantails sit on the imported country cottage style rose vine. The works highlight the beauty in differences, and are a symbol of hope in divided times.
Tauhou in the Pohutukawa
In these 'Taking Sides' works I explore the juxtaposition of Yin and Yang. The loud and the quiet, the native and the introduced, the dark and the light. This pair of Waxeyes/Tauhou sit on the native New Zealand Pohutukawa Flowers. The works highlight the beauty in differences, and are a symbol of hope in divided times.
Flock or Folly 2019-2021
Full exhibition catalogue
© Copyright Zoe Sizemore Artist
Mohua Yellowhead Window
Gouache on paper framed
29.7cm x 42cm
The Mohua or Yellowhead are endemic to New Zealand and currently under recovering status. Depicted here nestled amongst its common habitat the silver beech tree, The Mohua is a forest bird that can be found in the South and Stewart island of New Zealand. Once a common native, now endangered due to the introduction of pests such as stoats and rats, the reflection here shows it's skull below as an ominous future.
29.7cm x 42cm
The Mohua or Yellowhead are endemic to New Zealand and currently under recovering status. Depicted here nestled amongst its common habitat the silver beech tree, The Mohua is a forest bird that can be found in the South and Stewart island of New Zealand. Once a common native, now endangered due to the introduction of pests such as stoats and rats, the reflection here shows it's skull below as an ominous future.
Miro Miro Tomtit Window
Gouache on paper framed
29.7cm x 42cm
This stunning wee Tomtit, although not endangered in New Zealand, still requires respect and protection of our forests and habitat to ensure it's not wiped out by predators. In this depiction the live bird on top looks towards a bright future full of ripe berries while it's reflection or potential future warns of a bleak future if biodiversity isn't treasured.
29.7cm x 42cm
This stunning wee Tomtit, although not endangered in New Zealand, still requires respect and protection of our forests and habitat to ensure it's not wiped out by predators. In this depiction the live bird on top looks towards a bright future full of ripe berries while it's reflection or potential future warns of a bleak future if biodiversity isn't treasured.
Hihi Stitchbird Window
Gouache on paper framed
29.7cm x 42cm
Stitchbird/hihi is a medium-sized forest species that is one of New Zealand’s rarest birds. I had the pleasure of spotting one up close on my visit to Zealandia in Wellington which inspired this piece. Shown here with it’s skull in the reflection facing forward this symbolises that this wee creature isn’t extinct but it’s brightly coloured reflection suggests it still needs our help in order not to become extinct.
29.7cm x 42cm
Stitchbird/hihi is a medium-sized forest species that is one of New Zealand’s rarest birds. I had the pleasure of spotting one up close on my visit to Zealandia in Wellington which inspired this piece. Shown here with it’s skull in the reflection facing forward this symbolises that this wee creature isn’t extinct but it’s brightly coloured reflection suggests it still needs our help in order not to become extinct.
Kereru Window
Gouache on paper framed
29.7cm x 42cm
The Kereru or Wood Pigeon as it's commonly known is a sight to behold when balancing its weight precariously on branches. Although not rare in New Zealand native forest their sheer size is a sight to behold when they swoop in loudly or take off with a whooshing of wings. In this bird's reflection the skull is quite faded as these birds have less risk of becoming extinct and have adapted to sharing their environment with humans.
29.7cm x 42cm
The Kereru or Wood Pigeon as it's commonly known is a sight to behold when balancing its weight precariously on branches. Although not rare in New Zealand native forest their sheer size is a sight to behold when they swoop in loudly or take off with a whooshing of wings. In this bird's reflection the skull is quite faded as these birds have less risk of becoming extinct and have adapted to sharing their environment with humans.
Adzebill Reflection
Acrylic on canvas
45.5cm x 45.5cm
In this piece I have shown the Adzebill in the reflection of a lesser known extinct bird of New Zealand. I was fascinated to learn about how many species of large bird existed in New Zealand in pre-human times and it was magical to bring them back so that we have a window to the past.
45.5cm x 45.5cm
In this piece I have shown the Adzebill in the reflection of a lesser known extinct bird of New Zealand. I was fascinated to learn about how many species of large bird existed in New Zealand in pre-human times and it was magical to bring them back so that we have a window to the past.
Auckland Island Merganser Mallard Hybrid
Acrylic on board (round)
60cm
In the Auckland Island Merganser hybrid with a Mallard duck I look at the exploring the strange sci-fi combinations that could come about from playing with CRISPR-Cas9 genome editing and what this could look like. I have always loved surrealist art and how it makes you think differently about what you are looking at.
60cm
In the Auckland Island Merganser hybrid with a Mallard duck I look at the exploring the strange sci-fi combinations that could come about from playing with CRISPR-Cas9 genome editing and what this could look like. I have always loved surrealist art and how it makes you think differently about what you are looking at.
A Place To Land
Acrylic on canvas framed in pine. 76cm x 76cm
A Place to Land has many interpretations. The inspiration behind it was from watching all the many birds in my garden - only one of which ( the Tui) was native to New Zealand. In the background is the Papamoa Hills where I live, which without forest also contain none of these birds. The picture seeks to remind us how rare these birds are and how important it is we protect them. They face off against the army of invaders, the Sparrow, Mynah and Blackbird. All introduced species to New Zealand.
A Place to Land has many interpretations. The inspiration behind it was from watching all the many birds in my garden - only one of which ( the Tui) was native to New Zealand. In the background is the Papamoa Hills where I live, which without forest also contain none of these birds. The picture seeks to remind us how rare these birds are and how important it is we protect them. They face off against the army of invaders, the Sparrow, Mynah and Blackbird. All introduced species to New Zealand.
A Small Crew
Acrylic on canvas framed in pine. 76cm x 76cm
In my research for this series, I discovered that the word 'Crew' actually means a group of sparrows. In this piece the invading species surround the Tui pressuring and intimidating the native. When we think about the changes being made in science and the rapid evolutions are we able to make choices - or are they taken from us
In my research for this series, I discovered that the word 'Crew' actually means a group of sparrows. In this piece the invading species surround the Tui pressuring and intimidating the native. When we think about the changes being made in science and the rapid evolutions are we able to make choices - or are they taken from us
Huia Pigeon Hybrid
Acrylic on ply board (round)
60cm
The Huia Pigeon hybrid was inspired by my love of Surrealist works by Dali and Magritte. I sought to highlight the repercussions of experimental science such as CRISPR-Cas9 genome editing - which is how they plan to bring these extinct birds back such as the passenger pigeon. Are we playing god in experimenting with this type of science, is it safe for our precarious bio-diversity or should we work harder to protect what's there ?
60cm
The Huia Pigeon hybrid was inspired by my love of Surrealist works by Dali and Magritte. I sought to highlight the repercussions of experimental science such as CRISPR-Cas9 genome editing - which is how they plan to bring these extinct birds back such as the passenger pigeon. Are we playing god in experimenting with this type of science, is it safe for our precarious bio-diversity or should we work harder to protect what's there ?
Kaka Window
Gouache on black paper framed
29.7cm x 42cm
The kākā is a large parrot belonging to the nestorinae family, a group that includes the kea and the extinct Norfolk Island kākā. North Island kākā are At Risk (Recovering); South Island kākā are Nationally Vulnerable, Chatham Islands kaka are extinct. I chose to show this beautiful unusual creature on black paper to separate it from the Kea it's close relative and emphasise it's plight.
29.7cm x 42cm
The kākā is a large parrot belonging to the nestorinae family, a group that includes the kea and the extinct Norfolk Island kākā. North Island kākā are At Risk (Recovering); South Island kākā are Nationally Vulnerable, Chatham Islands kaka are extinct. I chose to show this beautiful unusual creature on black paper to separate it from the Kea it's close relative and emphasise it's plight.
Kakapo Window
Gouache on paper framed
29.7cm x 42cm
The kākāpō is a nocturnal, flightless parrot. And its strangeness doesn't end there. This Native Parrot is in serious trouble. The skull shown here is more visible than some of the other birds in the series due to its plight. The conservation of this critically endangered species has made the parrot quite a celebrity in modern times. Many books and documentaries dealing with the plight of the Kākāpō have been produced. Also named bird of the year in 2020.
29.7cm x 42cm
The kākāpō is a nocturnal, flightless parrot. And its strangeness doesn't end there. This Native Parrot is in serious trouble. The skull shown here is more visible than some of the other birds in the series due to its plight. The conservation of this critically endangered species has made the parrot quite a celebrity in modern times. Many books and documentaries dealing with the plight of the Kākāpō have been produced. Also named bird of the year in 2020.
In the eye of the Kea
Gouache on paper framed
29.7cm x 42cm
Kea are considered highly intelligent birds, they have also demonstrated adaptability to changes in habitat. Due to the unique nature of these native ancient birds I chose to portray the Kea with an enlarged eye that carries the reflection of a skyline - a human dominated urban environment that threatens biodiversity across the planet. Kea looks out as if to remind us the answers are simple even if the decisions are hard.
29.7cm x 42cm
Kea are considered highly intelligent birds, they have also demonstrated adaptability to changes in habitat. Due to the unique nature of these native ancient birds I chose to portray the Kea with an enlarged eye that carries the reflection of a skyline - a human dominated urban environment that threatens biodiversity across the planet. Kea looks out as if to remind us the answers are simple even if the decisions are hard.
Huia Reflection
Gouache on paper framed
29.7cm x 42cm
This was the first piece to be completed in the series, this work was where I began to explore the juxtaposition visually of life and death. After reading an article about de-extinction science, the Huia, a hauntingly striking bird from our not-so-distant past, stuck out to me as a subject I wanted to explore.
29.7cm x 42cm
This was the first piece to be completed in the series, this work was where I began to explore the juxtaposition visually of life and death. After reading an article about de-extinction science, the Huia, a hauntingly striking bird from our not-so-distant past, stuck out to me as a subject I wanted to explore.
Stout Legged Moa Reflection
Acrylic on canvas
45.5cm x 45.5cm
In this series of three pieces I bring back the extinct birds of Aotearoa. This piece shows the skull on top facing backwards - as if bringing them back is looking backwards not moving forwards in science. The Moa is found in the reflection and its eyes shine out as if visiting us from the grave with worldly wisdom.
45.5cm x 45.5cm
In this series of three pieces I bring back the extinct birds of Aotearoa. This piece shows the skull on top facing backwards - as if bringing them back is looking backwards not moving forwards in science. The Moa is found in the reflection and its eyes shine out as if visiting us from the grave with worldly wisdom.
Eyles Harrier Reflection
Acrylic on Canvas
45.5cm x 45.5cm
In this piece I chose the Eyles Harrier as the subject. This majestic bird second only to the Haast Eagle in size is another of New Zealand's extinct beauties. Another window to the past of a great creature that was wiped out due to human intervention.
45.5cm x 45.5cm
In this piece I chose the Eyles Harrier as the subject. This majestic bird second only to the Haast Eagle in size is another of New Zealand's extinct beauties. Another window to the past of a great creature that was wiped out due to human intervention.
Kokako reflection
Acrylic on Puriri wood round. 28cm
In these works I have used native Puriri wood rounds to show the passing of time with the rings of the tree. The jagged gold sections are influenced by the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum. The influence of this being that conservation is protecting what's precious or showing the precariousness of their plight. The Kokako in this work is a striking rare NZ Native bird.
In these works I have used native Puriri wood rounds to show the passing of time with the rings of the tree. The jagged gold sections are influenced by the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum. The influence of this being that conservation is protecting what's precious or showing the precariousness of their plight. The Kokako in this work is a striking rare NZ Native bird.
Tui reflection
Acrylic on Puriri wood round
28cm
The Tui does well in the New Zealand ecosystem and is one of our nations precious gems - adorning many local brands including fertiliser and beer. This piece also demonstrates the influence of the Japanese style art Kintsugi.
28cm
The Tui does well in the New Zealand ecosystem and is one of our nations precious gems - adorning many local brands including fertiliser and beer. This piece also demonstrates the influence of the Japanese style art Kintsugi.
Saddleback reflection
Acrylic on Puriri wood round 28cm
This third piece in the Puriri round series portrays the rare Saddleback or Tieke. The saddleback or tīeke belongs to New Zealand's unique wattlebird family, an ancient group which includes the endangered Kōkako and the extinct Huia. A gorgeous unique New Zealand Bird, this piece also demonstrates the Japanese style Kintsugi for creating beauty out of the broken.
This third piece in the Puriri round series portrays the rare Saddleback or Tieke. The saddleback or tīeke belongs to New Zealand's unique wattlebird family, an ancient group which includes the endangered Kōkako and the extinct Huia. A gorgeous unique New Zealand Bird, this piece also demonstrates the Japanese style Kintsugi for creating beauty out of the broken.
Forest Reign ( Piwakawaka)
Acrylic on Pine wood round can be hung and comes with small easel. 36cm
In this piece I chose a pine round to contrast with the dark native Puriri. This piece was inspired by my walks through the Otanewainuku forest where the Piwakawaka dance among the sawn off logs that have been cut to retain the track when a tree has fallen. They demonstrate resilience against the odds of predators and deforestation. They adapt and move forward.
In this piece I chose a pine round to contrast with the dark native Puriri. This piece was inspired by my walks through the Otanewainuku forest where the Piwakawaka dance among the sawn off logs that have been cut to retain the track when a tree has fallen. They demonstrate resilience against the odds of predators and deforestation. They adapt and move forward.
© Copyright Zoe Sizemore Artist